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  • Art. illustration For Example: Minga Opazo


    Minga Opazo


    My work is influenced by my heritage. Each art piece and installation has many layers of information that connects to my personal experience as a chilean moving to the United States. The natural word that surrounds me is constantly changing as I travel. Using natural materials from these places as well as materials from Chile help me feel connected to my heritage while communing with the new place I live. I am particularly interested in the places where nature and repetitive human action overlap. A big theme in my work is the layering of repetition, which when looking closely can be found everywhere in nature yet is in constant change and flow.

    Intaglio print with copper leaf and gold leaf additions

    All illustration by Minga Opazo
  • Art. illustration For Example: Lauren Scavo


    Lauren Scavo


    I am drawn to landscapes because they are both universal and personal; they are intertwined in both individual lives and collective histories, and are historically and culturally relevant in the art community and in the larger world. Though they are constantly changing, they are ever-present.

    My mark-making is expressive; however, since my finished pieces are so small in scale, the expressiveness of these marks cannot be seen unless the pieces are viewed from a close distance. Thus, I am seeking to depict the contrast between the objective depiction of nature and the subjective human element that is always present in our interpretation of our surroundings.

    All illustration by Lauren Scavo
  • Art. illustration For Example: Mike McDonnell


    Mike McDonnell


    My work began with an interest in mechanical diagrams and technical manuals. I would replicate them with red oil. This combination of subject and medium reminded me of anatomical drawings and cadaver studies. Stumbling upon an old technique applied to modern objects, I immediately became captivated by this kind of visual dissection.

    As I looked deeper into the physicality of objects and organisms, layers of meaning and associations became impossible to ignore. My interest had shifted from a purely visual examination of objects to an anthropological excavation and assessment of my personal environment.

    The results are unpredictable and ever-changing. But that’s the point. I’m not looking to prescribe answers of guidance. My goal is to catalogue – to investigate, dissect and examine – to provide access and insight to the fleeting moments of the present and recent past.

    All illustration by Mike McDonnell
  • Art. illustration For Example: matt lee


    matt lee


    'Sabbatical' - Sometime in late 2006 I bought a Moleskin journal and a small selection of Tombow pens from a store on Tottenham Court Road in London. Nearly ten years later I rediscovered these supplies at the back of a drawer in my Bangalore studio and felt bad I had never used them – there and then I started working, and from the first few quick and spontaneous drawings this series took shape.

    All illustration by matt lee
  • Art. illustration For Example: Yoyo Miyoko


    Yoyo Miyoko


    My name is Yoyo Miyoko and I am an illustrator living in London. Currently I am taking experience with metallic colored pencils on dark paper. I love drawing portraits, fashion and botanical illustrations.

    All illustration by Yoyo Miyoko
  • Art. illustration For Example: Ivy Chang


    Ivy Chang


    I am inspired by the exploration and language of life, the little and big moments that resonate with me. My work often involves anthropomorphic animals and objects as a way of storytelling from a humorous and charming perspective. I also love graphic designs and writing, which I tried to incorporate in my life as often as possible.

    All illustration by Ivy Chang
  • Art. illustration For Example: Nagehan Fenman


    Nagehan Fenman


    My works are always about connection, emptiness and fullness. I am interested more in forms than subject and I like to see shapes that are unseen at first look. Usually i work manually and then i retouch digitally.

    All illustration by Nagehan Fenman
  • Art. illustration For Example: Jacek Doroszenko


    Jacek Doroszenko


    The Useful Remnants release is a music concept album touches on a subject of seemingly useless belongings which are becoming valuable when one have to suddenly leave them. Field recordings and musical compositions for this project have been produced in a framework of the Artist-in-Residence Programs at Kunstnarhuset Messen in Ålvik, Norway and Atelierhaus Salzamt in Linz, Austria. The album was released in a strictly limited edition of 10 pieces. Every piece is packaged in a different transparent case, containing the cassette tape, handmade cover and drawings set made on an expired photographic paper.

    All illustration by Jacek Doroszenko
  • Art. illustration For Example: André Catarino


    André Catarino


    I’m interested in explore the relation between spaces and the human body, assuming situations of ruin, deconstruction, abandoned places or even landscapes, and presenting them has final composition for the spectator to explore and take advantage of new paths and realities. This way, my artistic path is directed to a crossing of situations between a reality that is familiar to the human being and another that exists after a manipulation of the same through Drawing.

    All illustration by André Catarino
  • Art. illustration For Example: Luise Faurholt


    Luise Faurholt


    These paperworks mainly explores my own domestic interiors and their inhabitants. My focus is variations of absence and presence in family relations - the slight shifts between closeness, tendeness and intimacy and distance and isolation in everyday life. In this context the blank abstract spaces is as significant as the figurations. As is the physical presence of the work, the textures of the different kinds of paint and the imprints of the pencil on the coarse surface of the paper.

    All illustration by Luise Faurholt
  • Art. illustration For Example: Clovis C.M


    Clovis C.M


    I've been exploring the relationship between man and nature. In terms of content I've always had a strong affinity for natural science illustration and portraiture. Stylistically my work is pretty much all line based. I've always loved the graphic nature of linework and how contrasting bold graphic lines with thin delicate lines can give you an ever-expanding range of tools to work with, and it's the use of these tools I look to explore.

    All illustration by Clovis C.M
  • Art. illustration For Example: Philippe Debongnie


    Philippe Debongnie


    For this series of images, I got as close as I could to the essence of the process, using only water and ink. Same material as for the japanese pantings that are an endless source of inspiration to me. I worked on 16 wild animals. All photographed on the move. The mix of this bare technique with my use of spots and drops seemed like a good fit for the sometimes brutal, sometimes peaceful attitude of the animals.

    All illustration by Philippe Debongnie
  • Art. illustration For Example: Rondie Li
  • Art. illustration For Example: Augusto Giovanetti


    Art, illustration Nicholas Herbert

    Nicholas Herbert



    Art, illustration Grégoire Devin

    Grégoire Devin



    Art, illustration joseph phillips

    joseph phillips



    Art, illustration André Catarino

    André Catarino



    Art, illustration Luise Faurholt

    Luise Faurholt



    Art, illustration punto bipolar

    punto bipolar



    Art, illustration Tauno Ostra

    Tauno Ostra



    Art, illustration Marcel George

    Marcel George