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  • Art. painting. For Example: frances ryan

    27.11.2012

    frances ryan

    painting

    'I am interested in the residual memory of place and capturing the atmosphere surrounding specific events. Working solely from my own recollections has made me aware of the fallibility of memory, how various triggers can assist in its retrieval and the ease in which distortions can present themselves. Experimenting with various materials is key to how the painting begins and develops, with continuous layering and sanding back eventually revealing clues as to what the painting could be about. '

    www.francesryan.com
  • Art. painting. For Example: frances ryan

    27.11.2012

    frances ryan

    painting

    'I am interested in the residual memory of place and capturing the atmosphere surrounding specific events. Working solely from my own recollections has made me aware of the fallibility of memory, how various triggers can assist in its retrieval and the ease in which distortions can present themselves. Experimenting with various materials is key to how the painting begins and develops, with continuous layering and sanding back eventually revealing clues as to what the painting could be about. '

    www.francesryan.com
  • Art. painting. For Example: frances ryan

    27.11.2012

    frances ryan

    painting

    'I am interested in the residual memory of place and capturing the atmosphere surrounding specific events. Working solely from my own recollections has made me aware of the fallibility of memory, how various triggers can assist in its retrieval and the ease in which distortions can present themselves. Experimenting with various materials is key to how the painting begins and develops, with continuous layering and sanding back eventually revealing clues as to what the painting could be about. '

    www.francesryan.com
  • Art. painting. For Example: frances ryan

    27.11.2012

    frances ryan

    painting

    'I am interested in the residual memory of place and capturing the atmosphere surrounding specific events. Working solely from my own recollections has made me aware of the fallibility of memory, how various triggers can assist in its retrieval and the ease in which distortions can present themselves. Experimenting with various materials is key to how the painting begins and develops, with continuous layering and sanding back eventually revealing clues as to what the painting could be about. '

    www.francesryan.com
  • Art. painting. For Example: frances ryan

    27.11.2012

    frances ryan

    painting

    'I am interested in the residual memory of place and capturing the atmosphere surrounding specific events. Working solely from my own recollections has made me aware of the fallibility of memory, how various triggers can assist in its retrieval and the ease in which distortions can present themselves. Experimenting with various materials is key to how the painting begins and develops, with continuous layering and sanding back eventually revealing clues as to what the painting could be about. '

    www.francesryan.com
  • Art. painting. For Example: frances ryan

    27.11.2012

    frances ryan

    painting

    'I am interested in the residual memory of place and capturing the atmosphere surrounding specific events. Working solely from my own recollections has made me aware of the fallibility of memory, how various triggers can assist in its retrieval and the ease in which distortions can present themselves. Experimenting with various materials is key to how the painting begins and develops, with continuous layering and sanding back eventually revealing clues as to what the painting could be about. '

    www.francesryan.com
  • FOR EXAMPLE: FAVOURITES

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    Art, painting, Jon Bentley

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    Art, painting, Ekaterina Yanovskaya

    Ekaterina Yanovskaya

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    Art, painting, Kaloust Guedel

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    Art, painting, Lisa Krannichfeld

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    Art, painting, Paul Kenneth

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    Art, painting, Chantal van Houten

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