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  • Art. illustration. For Example: lauren smith

    17.02.2013

    lauren smith

    illustration

    'When I began working for an architect in 2007, I developed an inclination towards a specific type of canary tracing paper architects typically use for sketching. I In order to examine my external environment, I have borrowed from architecture not only its characteristic paper but also its visual language. My creative process begins with a physical survey of a given building: I will take detailed measurements, photographs, and/or gather historic documentation. Using ink on paper, I will recreate the building, void of unnecessary information such as tress, vehicles or people. Finally, I use varnish to mount the paper onto canvas. The result is a highly detailed drawing disguised as a painting. Typically, people associate architectural drawings with the documentation of truth and precise representation. My work challenges this association by using the vernacular of architectural drawings to create "lies" about buildings. I will slightly misrepresent buildings by either idealizing them and/or intentionally distorting them. I aim to provoke the audience to question not only the validity of what they are seeing, but also their own perspectives towards their external environment.'

    laurensmithstudio.com
  • Art. illustration. For Example: lauren smith

    17.02.2013

    lauren smith

    illustration

    'When I began working for an architect in 2007, I developed an inclination towards a specific type of canary tracing paper architects typically use for sketching. I In order to examine my external environment, I have borrowed from architecture not only its characteristic paper but also its visual language. My creative process begins with a physical survey of a given building: I will take detailed measurements, photographs, and/or gather historic documentation. Using ink on paper, I will recreate the building, void of unnecessary information such as tress, vehicles or people. Finally, I use varnish to mount the paper onto canvas. The result is a highly detailed drawing disguised as a painting. Typically, people associate architectural drawings with the documentation of truth and precise representation. My work challenges this association by using the vernacular of architectural drawings to create "lies" about buildings. I will slightly misrepresent buildings by either idealizing them and/or intentionally distorting them. I aim to provoke the audience to question not only the validity of what they are seeing, but also their own perspectives towards their external environment.'

    laurensmithstudio.com
  • Art. illustration. For Example: lauren smith

    17.02.2013

    lauren smith

    illustration

    'When I began working for an architect in 2007, I developed an inclination towards a specific type of canary tracing paper architects typically use for sketching. I In order to examine my external environment, I have borrowed from architecture not only its characteristic paper but also its visual language. My creative process begins with a physical survey of a given building: I will take detailed measurements, photographs, and/or gather historic documentation. Using ink on paper, I will recreate the building, void of unnecessary information such as tress, vehicles or people. Finally, I use varnish to mount the paper onto canvas. The result is a highly detailed drawing disguised as a painting. Typically, people associate architectural drawings with the documentation of truth and precise representation. My work challenges this association by using the vernacular of architectural drawings to create "lies" about buildings. I will slightly misrepresent buildings by either idealizing them and/or intentionally distorting them. I aim to provoke the audience to question not only the validity of what they are seeing, but also their own perspectives towards their external environment.'

    laurensmithstudio.com
  • Art. illustration. For Example: lauren smith

    17.02.2013

    lauren smith

    illustration

    'When I began working for an architect in 2007, I developed an inclination towards a specific type of canary tracing paper architects typically use for sketching. I In order to examine my external environment, I have borrowed from architecture not only its characteristic paper but also its visual language. My creative process begins with a physical survey of a given building: I will take detailed measurements, photographs, and/or gather historic documentation. Using ink on paper, I will recreate the building, void of unnecessary information such as tress, vehicles or people. Finally, I use varnish to mount the paper onto canvas. The result is a highly detailed drawing disguised as a painting. Typically, people associate architectural drawings with the documentation of truth and precise representation. My work challenges this association by using the vernacular of architectural drawings to create "lies" about buildings. I will slightly misrepresent buildings by either idealizing them and/or intentionally distorting them. I aim to provoke the audience to question not only the validity of what they are seeing, but also their own perspectives towards their external environment.'

    laurensmithstudio.com
  • Art. illustration. For Example: lauren smith

    17.02.2013

    lauren smith

    illustration

    'When I began working for an architect in 2007, I developed an inclination towards a specific type of canary tracing paper architects typically use for sketching. I In order to examine my external environment, I have borrowed from architecture not only its characteristic paper but also its visual language. My creative process begins with a physical survey of a given building: I will take detailed measurements, photographs, and/or gather historic documentation. Using ink on paper, I will recreate the building, void of unnecessary information such as tress, vehicles or people. Finally, I use varnish to mount the paper onto canvas. The result is a highly detailed drawing disguised as a painting. Typically, people associate architectural drawings with the documentation of truth and precise representation. My work challenges this association by using the vernacular of architectural drawings to create "lies" about buildings. I will slightly misrepresent buildings by either idealizing them and/or intentionally distorting them. I aim to provoke the audience to question not only the validity of what they are seeing, but also their own perspectives towards their external environment.'

    laurensmithstudio.com
  • Art. illustration. For Example: lauren smith

    17.02.2013

    lauren smith

    illustration

    'When I began working for an architect in 2007, I developed an inclination towards a specific type of canary tracing paper architects typically use for sketching. I In order to examine my external environment, I have borrowed from architecture not only its characteristic paper but also its visual language. My creative process begins with a physical survey of a given building: I will take detailed measurements, photographs, and/or gather historic documentation. Using ink on paper, I will recreate the building, void of unnecessary information such as tress, vehicles or people. Finally, I use varnish to mount the paper onto canvas. The result is a highly detailed drawing disguised as a painting. Typically, people associate architectural drawings with the documentation of truth and precise representation. My work challenges this association by using the vernacular of architectural drawings to create "lies" about buildings. I will slightly misrepresent buildings by either idealizing them and/or intentionally distorting them. I aim to provoke the audience to question not only the validity of what they are seeing, but also their own perspectives towards their external environment.'

    laurensmithstudio.com
  • Art. illustration. For Example: lauren smith

    17.02.2013

    lauren smith

    illustration

    'When I began working for an architect in 2007, I developed an inclination towards a specific type of canary tracing paper architects typically use for sketching. I In order to examine my external environment, I have borrowed from architecture not only its characteristic paper but also its visual language. My creative process begins with a physical survey of a given building: I will take detailed measurements, photographs, and/or gather historic documentation. Using ink on paper, I will recreate the building, void of unnecessary information such as tress, vehicles or people. Finally, I use varnish to mount the paper onto canvas. The result is a highly detailed drawing disguised as a painting. Typically, people associate architectural drawings with the documentation of truth and precise representation. My work challenges this association by using the vernacular of architectural drawings to create "lies" about buildings. I will slightly misrepresent buildings by either idealizing them and/or intentionally distorting them. I aim to provoke the audience to question not only the validity of what they are seeing, but also their own perspectives towards their external environment.'

    laurensmithstudio.com
  • FOR EXAMPLE: FAVOURITES

    20.12.2012

    Art, illustration, punto bipolar

    punto bipolar

    illustration

    21.10.2012

    Art, illustration, stephanie maton

    stephanie maton

    illustration

    07.02.2015

    Art, illustration, Grégoire Devin

    Grégoire Devin

    illustration

    11.10.2014

    Art, illustration, Katherine Dawson

    Katherine Dawson

    illustration

    01.05.2016

    Art, illustration, Nicholas Herbert

    Nicholas Herbert

    illustration

    08.09.2015

    Art, illustration, Philipp Zurmöhle

    Philipp Zurmöhle

    illustration

    09.02.2014

    Art, illustration, Mark Francis Williams

    Mark Francis Williams

    illustration

    13.04.2017

    Art, illustration, Shema Ladva

    Shema Ladva

    illustration