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  • Art. photography. For Example: wil symons

    27.12.2012

    wil symons

    photography

    'These are photographs of not only the sitter but of you and of me. In losing eye contact we gain a common interest with the sitter, we neither have somewhere to aim our gaze. They become collaborations, you play the detective. We have to use our imagination to find out more, a photograph is an illusion, a portrait shows a mask, a facade, so why must we need to see the eyes to find out more of the persona behind them?'

    www.flickr.com/people/wil_symons
  • Art. photography. For Example: wil symons

    27.12.2012

    wil symons

    photography

    'These are photographs of not only the sitter but of you and of me. In losing eye contact we gain a common interest with the sitter, we neither have somewhere to aim our gaze. They become collaborations, you play the detective. We have to use our imagination to find out more, a photograph is an illusion, a portrait shows a mask, a façade, so why must we need to see the eyes to find out more of the persona behind them?'

    www.flickr.com/people/wil_symons
  • Art. photography. For Example: wil symons

    27.12.2012

    wil symons

    photography

    'These are photographs of not only the sitter but of you and of me. In losing eye contact we gain a common interest with the sitter, we neither have somewhere to aim our gaze. They become collaborations, you play the detective. We have to use our imagination to find out more, a photograph is an illusion, a portrait shows a mask, a façade, so why must we need to see the eyes to find out more of the persona behind them?'

    www.flickr.com/people/wil_symons
  • Art. photography. For Example: wil symons

    27.12.2012

    wil symons

    photography

    'These are photographs of not only the sitter but of you and of me. In losing eye contact we gain a common interest with the sitter, we neither have somewhere to aim our gaze. They become collaborations, you play the detective. We have to use our imagination to find out more, a photograph is an illusion, a portrait shows a mask, a façade, so why must we need to see the eyes to find out more of the persona behind them?'

    www.flickr.com/people/wil_symons
  • Art. photography. For Example: wil symons

    27.12.2012

    wil symons

    photography

    'These are photographs of not only the sitter but of you and of me. In losing eye contact we gain a common interest with the sitter, we neither have somewhere to aim our gaze. They become collaborations, you play the detective. We have to use our imagination to find out more, a photograph is an illusion, a portrait shows a mask, a façade, so why must we need to see the eyes to find out more of the persona behind them?'

    www.flickr.com/people/wil_symons
  • Art. photography. For Example: wil symons

    27.12.2012

    wil symons

    photography

    'These are photographs of not only the sitter but of you and of me. In losing eye contact we gain a common interest with the sitter, we neither have somewhere to aim our gaze. They become collaborations, you play the detective. We have to use our imagination to find out more, a photograph is an illusion, a portrait shows a mask, a façade, so why must we need to see the eyes to find out more of the persona behind them?'

    www.flickr.com/people/wil_symons
  • FOR EXAMPLE: FAVOURITES

    22.01.2017

    Art, photography, Luca Tombolini

    Luca Tombolini

    photography

    11.04.2017

    Art, photography, Dana Stirling

    Dana Stirling

    photography

    27.05.2014

    Art, photography, Jacob Mitchell

    Jacob Mitchell

    photography

    01.11.2014

    Art, photography, Louis De Belle

    Louis De Belle

    photography

    21.11.2014

    Art, photography, Pablo Chaco

    Pablo Chaco

    photography

    04.02.2017

    Art, photography, Varvara Shinkarenko

    Varvara Shinkarenko

    photography

    27.12.2012

    Art, photography, wil symons

    wil symons

    photography

    11.06.2013

    Art, photography, feiyi wen

    feiyi wen

    photography